Sunday, November 23, 2008
Reaching Keet Seel by Reg Saner - Excerpts
EXCERPTS
Over more than a dozen summers, with an occasional autumn thrown in, I have fed my pleasure on the ruins, the canyons and mesas of this book, as other work permitted. “Points along the way” were both places and stops toward answering two deceptively simple questions: “Why do I find these things so strangely moving?” and “What are they trying to tell us?”
If biblical minds agreed on one thing, it was that desert is demonic. To efface it utterly was to praise the Lord.
Odd that in this universe where maybe nothing is divine except what’s missing, our last few desert places seem profoundly blessed by what isn’t there. We now feel that truly to bring forth the fruit of such terrain is to agree that its silence and space are unimprovable. We say so any time we answer its hush with an attentive stillness, one wide and deep as respect.
Even assuming that religious emotions are indeed illusory, is human life possible without them? Their impulses seem so universal as to be innate, as if encoded genetically. Are they evolution’s protection against what evolution itself has created, reason’s analytical habit?
Any sacred building’s layout and symbols offer alignment, orientation. They give directions without saying a word.
Christianity, especially, identifies the sacred with “good,” whereas ancient Greeks and Pueblos – to cite parallel extremes – conceived the sacred in ways making “good” irrelevant, even absurd.
By projecting a secularized sacrality onto nature as a sort of benign whiff exuded from forests, vernal woods, or whitewater streams, we may forget that sacred power is traditionally grounded in the supernatural, whereas, and by definition, nature is natural. Yet a Hope leader could say, “The Hopi land is the Hopi religion,” because to Pueblos nature is never only natural.
All the same, though “bleak” should name my mood, it doesn’t. “Emptiness,” yes, and one I’m well content to sit quietly filled with. Its slight sadness feels like wisdom, as if that’s what I, too, had come to Chaco for.
No lands feel more desolate than those of the Hopi, no religion more beautiful or complex. That very desolation must have begotten such beauty and complexity. Encircled by utter indifference in every empty direction, you could feel yourself the least of beings, the merest speck; or you could sense yourself as the focus of spirits and sacred powers – without ceasing, however, to realize that in such vastitudes everyone’s daily affairs hither and yon around your tiny pueblo count for no more than the trickles of ant people busily seething round their anthill.
… is the sacred really self-love echoed back to sound like a call? A circular transaction? For me, its “place” exists anytime we stand at a center, the center of a moment: our own widest awareness of, and agreement to be, who and where we are.
Haven’t the gods always been made of our own limitations? No god has qualities a human wouldn’t find useful.
For most of humankind, wonders merely natural aren’t quite enough – as if our species sorely needs religious emotion to restore what analytical reason makes away with.
There are places you go, simply to be there. In the old days, such going toward was called pilgrimage.
Just as we living ones need the dead to remember us and help us with our lives, the gods rely on us mortals to sustain them.
If you believe there’s such a thing as desecration, you believe in the sacred.
Lots of rock, lots of sand, lots of wind, and very little rain can make juniper stands growing there, at the far end of possibility, an outpost of marginalized eccentrics.
There amid the deranged and violent I also discovered “good” trees battening on the same rimrock; witnessed all the living optimism, all the hurt joy that can scuffle upward out of such rock and suffer openly. In wresting a living from limestone’s long famines of rain, they must sometimes have felt that enduring there was next to impossible, but endure they had.
Mountains echo whatever you tell them, but desert space is always a listener, its only voice a quiet so unbroken it hushes you, thereby making you fit to enter.
Primitive? Yes, but wouldn’t it feel good to regress, to live among townsfolk where nobody had a job? Where instead of jobs, everybody has a life, and every life a clear purpose?
… an escape from self, the “me”. From the incessantly mumbling, grumbling, scheming, blithering first-person singular. It’s a brief but soothing release.
As for a New Mexico, Arizona, or Utah evening, your mood there can invest time’s barest necessities with an allure so narcotic you feel on the verge of understanding things no one will ever understand.
Questing toward some imagined Grand Happiness, we find it rarely if ever; meanwhile, a few blessed moments find us. They’re not anything we’d know how to look for. Besides, that’s not how it works. The blessed moments aren’t targetable. They just happen. Years later, merely recollecting them can summon us back to our best selves, but only if when they come, we’re not too busy to see them for what they are.
If you live long enough, you begin having days when it seems you may actually be getting some sense. How to act, how to see, what to care about. What truly matters.
Now comes the twist that makes endless questing for knowledge problematic. We assume that to know what, where, and why we are is a good thing. Is it? When ignorance is bliss, the proverb reminds us, “tis folly to be wise.” Despite such sayings, don’t we claim to follow “truth” wherever it leads? Or is that only a flattering mirage?
Even at a standstill you can feel it inside you: the road as verge, as threshold, making “destination” a mere pretext for the real business of going to meet it.
But for many of us four-wheeled, non-Native Americans, isn’t it true that our “center” and best mode of being is motion? Whose aim is less a place than simply the horizon.
A people who’ve survived desert conditions for ages are realists. You haven’t a choice. In desert, you become either a realist or a set of bleached bones. Paradoxically, you also come into kinship with a world of realities they eye has not seen …
Sunday, November 16, 2008
Beyond the Wall by Edward Abbey - Excerpts
EXCERPTS
If you desire to know, feel and live the desert, as opposed to only looking at it as tourists and art critics do, you’ve got to arise from your bottom end and walk upright like a human being, alone or with a friend, into the ancient blood-thrilling primeval freedom of those vast and democratic vistas. You will never understand the secret essence of the world freedom until you do.
I do not hold with those who find in geometry the essence of elegance; what Euclid and his successors fell in love with was not the world out there but the world inside – structures of the human mind. They were admiring an aspect of themselves, like Narcissus doting on his image in the pool.
Beyond the hill is the auburn-colored desolation of the desert: stony hills, lean peaks, narrow bands of olive-drab shrubbery winding along the waterless drainages and in the distance, on all horizons, from fifty to sixty miles away, the farther ranges of blue, magenta and purple mountains, where nothing human lives or ever did. I find this a cheery, even exhilarating prospect. The world of nature is faithful and never disappoints.
I have now walked seventy-five miles plus side trips. Only fifty to go. Five days so far in the open, without roof, without walls. An emotion old as the human race, essence without name, flows through my heart and mind.
… the birds will gather the fruit, eat the flesh, scatter the seeds on the barren ground. But not utterly barren, even here. A few will germinate, sprout, take root, resume the endless, pointless, beautiful cycle, again and again and again. For what purpose? Only the weary and the foolish insist on a purpose. Let being be. To make shade for a titmouse, that is the purpose.
Seated once more on my rear end, like everybody else in the modern world, I slump with relief back into the delights of the civilization I love to despise. My feet are even happier than I am. Within minutes my 115-mile walk through the desert hills becomes a thing apart, a disjunct reality on the far side of a bottomless abyss, immediately beyond physical recollection. But it’s all still there in my heart and soul. The walk, the hills, the sky, the solitary pain and pleasure – they will grow larger, sweeter, lovelier in the days and years to come, like a treasure found and then, voluntarily, surrendered. Returned to the mountains with my blessing. It leaves a golden glowing in the mind.
We were desert mystics, my few friends and I, the kind who read maps as others read their holy books. I once sat on the rim of a mesa above the Rio Grande for three days and nights, trying to have a vision. I got hungry and saw God in the form of a beef pie.
But why, the questioner insists, why do people like you pretend to love uninhabited country so much? Why this cult of wilderness? Why the surly hatred of progress and development, the churlish resistance to all popular improvements? Very well, a fair question, but it’s been asked and answered a thousand times already; enough books to drive a man stark naked mad have dealt in detail with this question. There are many answers, all good, each sufficient. Peace is often mentioned; beauty; spiritual refreshment, whatever than means; re-creation for the soul, whatever that it; escape; novelty, the delight of something different; truth and understanding and wisdom – commendable virtues in any many, anytime; ecology and all that, meaning the salvation of variety, diversity, possibility and potentiality, the preservation of the genetic reservoir, the answers to questions that we have not yet even learned to ask, a connection to the origin of things, an opening into the future, a source of sanity for the present – all true, all wonderful, all more than enough to answer such a dumb dead degrading question as “Why wilderness”? To which, nevertheless, I shall append on further answer anyway: because we like the taste of freedom; because we like the smell of danger.
We topped out on a small rise and there ahead lay the red wasteland again – red dust, red sand, the dark smoldering purple reds of ancient rocks, Chinle, Shinarump and Moenkopi, the old Triassic formations full of radium, dinosaurs, petrified wood, arsenic and selenium, fatal evil monstrous things, beautiful, beautiful. Miles of it, leagues of it, glittering under the radiant light, swimming beneath waves of heat, a great vast aching vacancy of pure space, waiting. Waiting for what? Why, waiting for us.
There was a middle-aged fellow sitting outside the store, on a bench in the shade, drinking beer. He had about a month’s growth of whiskers on what passed for a face. I bought him another can of Coors and tried to draw him into conversation. He was taciturn. Would not reveal his name. When I asked him what he did around there, he looked up at the clouds and over at the river and down at the ground between his boots, thinking hard, and finally said: “Nothing.” A good and sufficient answer. Taking that hint, I went away from there, leaving him in peace. My own ambition, my deepest and truest ambition, is to find within myself someday, somehow, the ability to do likewise, to do nothing – and find it enough.
The river tugged at our bodies with a gentle but insistent urge: Come with me, the river said, close your eyes and quiet your limbs and float with me into the wonder and mystery of the canyons, see the unknown and the little known, look upon the stone gods face to face, see Medusa, drink my waters, hear my song, feel my power, come along and drift with me toward the distant, ultimate and legendary sea … Sweet and subtle song. Perhaps I should have surrendered. I almost did. But didn’t.
The shimmer of heat waves, hanging like a scrim across the horizon, is enough in itself to confuse the senses, puzzle the mind. The mountains float like ships on the waves of superheated air, drifting away from one another, then returning, merging, inverting themselves, assuming shapes out of fantasy. The madness of mirage.
In the Dream Time, say the wise old men of the outback, we made our beginning; from the Dream Time we come; into the Dream Time, after death, we shall return. The dream is the real; waking life is only a dream within a greater dream.
What does the desert mean? It means what it is. It is there, it will be there when we are gone. But for a while we are living things – men, women, birds, that coyote howling far off on yonder stony ridge – we were a part of it all. That should be enough.
Buzzards circled overhead – there always seem to be more buzzards in the sky on the Mexican side of the border. Why? Because both life and death are more abundant down in Mexico. It’s the kind of country buzzards love. A candid country, harsh and bare, which is no doubt why it strikes us overcivilized Americans as crude, vulgar and dangerous.
I thought of the wilderness we had left behind us, open to sea and sky, joyous in its plentitude and simplicity, perfect yet vulnerable, unaware of what is coming, defended by nothing, guarded by no one.
Which is more likely? asked Mark Twain (I paraphrase): that the unicorn exists or that men tell lies?
I am aware of the argument that hunting and fishing can lead a man into an intense, intimate engagement with the natural world unknown to the casual hiker. When the hunting or fishing is based on hunger, on need, I know that this is true. But sport, in the end, is only sport – divertissement. A diversion, that is, from the game of life. Which is – what? Let’s not go into that.
Yet I know that even the mosquito has a function – you might say a purpose – in the great web of life. Their larvae help feed fingerlings, for example. Certain of their women help spread the parasitic protozoa that give us dengue, breakbone fever, yellow fever and malaria, for example, keeping in control the human population of places like Borneo, Angola, Italy and Mississippi. No organism can be condemned as totally useless.
The top of the world. But of course, the giddy, dizzying truth is that the words “top” and “bottom”, from a planetary point of view, have no meaning. From out here in deep space, where I am orbiting, there is no top, there is no bottom, no floor, no ceiling, to anything. We spin through an infinite void, following our curving path around the sun, which is as bewildered as we are. True, the infinite is incomprehensible – but the finite is absurd. Einstein claimed otherwise, I know, but Einstein was only a mortal like us. No ceiling, no floor, no walls …
What can I say except confess that I have seen but little of the real North, and of that little understood less. The planet is bigger than we ever imagined. The world is colder, more ancient, more strange and more mysterious than we had dreamed. And we puny human creatures with our many tools and toys and fears and hopes make only one small leaf on the great efflorescing tree of life. Too much. No equation however organic, no prose however royally purple, can bracket our world within the boundaries of mind.
QUOTATIONS
Paul Klee
There are two mountains on which the weather is bright and clear, the mountain of the animals and the mountain of the gods. But between lies the shadowy valley of men.
Sunday, November 9, 2008
Inspired by Nature edited by Amy Kelley - Excerpts
QUOTATIONS
Edward Abbey
To me the desert is stimulating, exciting, exacting; I feel no temptation to sleep or to relax into occult dreams but rather an opposite effect which sharpens and heightens vision, touch, hearing, taste and smell. Each stone, each plant, each grain of sand exists in and for itself with a clarity that is undimmed by any suggestion of different realm.
Wendell Berry
These obscuring preconceptions were once superstitious or religious. Now they are mechanical. The figure representative of the earlier era was that of the otherworldly man who thought and said much more about where he would go when he died than about where he was living.
John Burroughs
Human and artificial sounds and objects thrust themselves upon us; they are within our sphere, so to speak: but the life of nature we must meet halfway; it is shy, withdrawn, and blends itself with a vast neutral background. We must be initiated; it is an order the secrets of which are well guarded.
Annie Dillard
Nature's silence is its one remark, and every flake of world is a chip off that old mute and immutable block.
Annie Dillard
What have we been doing all these centuries but trying to call God back to the mountain, or, failing that, raise a peep out of anything that isn't us? What is the difference between a cathedral and a physics lab? Are not they both saying: Hello? We spy on whales and on interstellar radio objects; we starve ourselves and pray till we're blue.
Annie Dillard
At a certain point you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep -just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression; instead, it is all there is.
Annie Dillard
The silence is all there is. It is the alpha and the omega. It is God's brooding over the face of the waters; it is the blended note of the ten thousand things, the whine of wings. You take a step in the right direction to pray to this silence, and even to address the prayer to "World". Distinctions blur. Quit your tents. Pray without ceasing.
Gretel Ehrlich
To find what is lost; to lose what is found. Several times I've thought I was losing my mind. Of course, minds aren't literally misplaced; on the contrary, we live too much in them. We listen gullibly, then feel severed because of the mind's clever tyrannies.
Gretel Ehrlich
Some days I think this one place isn't enough. That's when nothing is enough, when I want to live multiple lives and have the know-how and guts to live without limits. Those days, like today, I walk with a purpose but no destination. Only then do I see, at least momentarily, that most everything is here.
Aldo Leopold
Is education possibly a process of trading awareness for things of lesser worth?
Wallace Stenger
We are creatures shaped by our experiences; we like what we know, more often than we know what we like.
Wallace Stenger
Dutton describes a process of westernization of the perceptions that has to happen before the West is beautiful to us. You have to get over the color green; you have to quit associating beauty with gardens and lawns; you have to get used to an inhuman scale; you have to understand geological time.
Wallace Stenger
Perception, like art and literature, like history, is an artifact, a human creation, and it is not created overnight.
Henry David Thoreau
We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep.
Sunday, September 7, 2008
Pilgrim at Tinker Creek by Annie Dillard - Excerpts
Pilgrim at Tinker Creek. Annie Dillard. 1974. ISBN 978-0061233326
EXCERPTS
We wake, if we ever wake at all, to mystery, rumors of death, beauty, violence …
That it’s rough out there and chancy is no surprise. Every live thing is a survivor on a kind of extended emergency bivouac.
The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.
I propose to keep here what Thoreau called “a meteorological journal of the mind”, telling some tales and describing some of the sights of this rather tamed valley, and exploring, in fear and trembling, some of the unmapped dim reaches and unholy fastnesses to which those tales and sights so dizzyingly lead.
But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get.
Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it … I have to say the words, describe what I’m seeing. If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present. It’s not that I’m observant; it’s just that I talk too much.
But there is another way of seeing that involves a letting go. When I see this way I stand transfixed and emptied.
But I can’t go out and try to see this way. I’ll fail, I’ll go mad. All I can do is try to gag the commentator, to hush the noise of useless interior babble that keeps me from seeing just as surely as a newspaper dangled before my eyes.
An Eskimo traveling alone in flat barrens will heap round stones to the height of a man, travel till he can no longer see the beacon, and build another.
Fish gotta swim and bird gotta fly; insects, it seems, gotta do one horrible thing after another.
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.
Experiencing the present purely is being emptied and hollow; you catch grace as a man fills his cup under a waterfall.
I remember what the city has to offer: human companionship, major-league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year … I’ll start living; next year … I’ll start my life.” Innocence is a better world.
The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless.
That there are so many details seems to be the most important and visible fact about the creation.
… even on the perfectly ordinary and clearly visible level, creation carries on with an intricacy unfathomable and apparently uncalled for. The long ping into being of the first hydrogen atom ex nihilo was so unthinkably, violently radical, that surely it ought to have been enough, more than enough. But look what happens. You open the door and all heaven and hell break loose.
What I aim to do is not so much learn the names of the shreds of creation that flourish in this valley, but to keep myself open to their meanings, which is to try to impress myself at all times with the fullest, possible force of their very reality.
Certainly nature seems to exult in abounding radicality, extremism, anarchy. If we were to judge nature by its common sense or likelihood, we wouldn’t believe the world existed. In nature, improbabilities are the one stock in trade. The whole creation is on lunatic fringe.
Evolution loves death more than it loves you or me. This is easy to write, easy to read, and hard to believe. The words are simple, the concept clear – but you don’t believe it, do you? Nor do I. How could I, when we’re both so lovable? Are my values then so diametrically opposed to those that nature preserves? This is the key point.
Either this world, my mother, is a monster, or I myself am a freak.
But wait, you say, there is no right and wrong in nature; right and wrong is a human concept. Precisely: we are moral creatures, in an amoral world. The universe that suckled us is a monster that does not care if we live or die – does not care if it itself grinds to a halt. It is fixed and blind, a robot programmed to kill. We are free and seeing; we can only try to outwit it at every turn to save our skins. This view requires that a monstrous world running on chance and death, careening blindly from nowhere to nowhere, somehow produced wonderful us.
My rage and shock at the pain and death of individuals of my kind is the old, old mystery, as old as man, but forever fresh, and completely unanswerable.
This is what I came for, just this, and nothing more. A fling of leafy motion on the cliffs, the assault of real things, living and still, with shapes and powers under the sky – this is my city, my culture, and all the world I need. I looked around.
Somebody showed me once how to answer a bobwhite in the warbling, descending notes of the female. It works like a charm. But what can I do with a charmed circle of male bobwhites but weep?
Every minute on a square mile of this land – on the steers and the orchard, on the quarry, the meadow, and creek – one ten thousandth of an ounce of starlight spatters to earth.
I didn’t know, I never have known, what spirit it is that descends into my lungs and flaps near my heart like an eagle rising. I named it full-of-wonder, highest good, voices.
Is this what it’s like, I thought then, and think now: a little blood here, a chomp there, and still we live, trampling the grass? Must everything whole be nibbled? Here was a new light on the intricate texture of things in the world, the actual plot of the present moment in time after the fall: the way we the living are nibbled and nibbling – not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land.
The young man proudly names his scars for his lover; the old man alone before a mirror erases his scars with his eyes and sees himself whole.
No, I’ve gone through this a million times, beauty is not a hoax – how many days have I learned not to stare at the back of my hand when I could look out at the creek? Come on, I say to the creek, surprise me; and it does, with each new drop. Beauty is real. I would never deny it; the appalling thing is that I forget it.
Spend the afternoon. You can’t take it with you.
There is not a guarantee in the world. Oh your needs are guaranteed, your needs are absolutely guaranteed by the most stringent of warranties, in the plainest, truest words: knock, seek; ask. But you must read the fine print. “Not as the world giveth, give I unto you.” That’s the catch. If you can catch it it will catch you up, aloft, up to any gap at all, and you’ll come back, for you will come back, transformed in a way you may not have bargained for – dribbling and crazed … Your needs are all met. But not as the world giveth. You see the needs of your own spirit met whenever you have asked, and you have learned that the outrageous guarantee holds. You see the creatures die, and you know you will die. And one day it comes to you that you must not need life. Obviously. And then you’re gone. You have finally understood that you’re dealing with a maniac.
Divinity is not playful. The universe was not made in jest but in solemn incomprehensible earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see. And then you walk fearlessly, eating what you must, growing wherever you can, like the monk on the road who knows precisely how vulnerable he is, who takes no comfort among death-forgetting men, and who carries his vision of vastness and might around in his tunic like a live coal which neither burns nor warms him, but with which he will not part.
QUOTATIONS
Martin Buber (quoting an old Hasid master)
When you walk across the fields with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their soul come out and cling to you, and then they are purified and become a holy fire in you.
Eddington
The physical world is entirely abstract and without “actuality” apart from its linkage to consciousness.
Heraclitus
It ever was, and is, and shall be, ever-living Fire, in measures being kindled and in measures going out.
Huston Smith
In nature, the emphasis is on what is rather than what ought to be.
Simone Weil
Let us love the country of here below. It is real; it offers resistance to love.
Sunday, August 31, 2008
Thursday, August 28, 2008
The Four-Cornered Falcon by Reg Saner - Excerpts
EXCERPTS
The journal was private, and yet – like all journals – it secretly hoped for a reader.
Western terrain had long stirred in me a fairly passionate impulse to witness. There were also abiding curiosities that had wanted satisfying. That meant going to look. In turn, that meant taking time which – or so my conscience kept hinting – should’ve been spent on less grandiose enterprises than trying to see what I was part of. On the other hand, a lifetime has always seemed too rare, too surreal an opportunity to throw away on success.
A ravenous hawk; a slightly ludicrous bag of fat fur. Appetites that have learned how to repeat themselves. To what end? None that any living creature – now or to come – ever will know. To be. Each to do its kind.
We survive by not believing what we know. Is that because our unconscious knows something truer than fact? Maybe it knows that what we most admire can’t die, including the best of ourselves – which we don’t invent, merely inherit or borrow. And which, like the world, is nobody’s possession.
Daily dutiful habit is our way of keeping possibilities small.
When we take a person into our memory his dying doesn’t in any way evict him.
I’m here now perhaps because as a Midwestern boy I’d have loved it but couldn’t. Had no idea. By just hiking here I amaze him.
Heady pine-scent from trees leading the hardest of lives makes me wonder why so much of humanity’s smell is sorrow.
We admire wild places because their forests and mountains meet us as exactly what they meant to be; blessedly forlorn, among many strange ways in which the world keeps its promise.
Sharp as a blade, distant skyline meets the eye through miles of thin air. I listen. A soundlessness whose smallest effect is awe; hermetically pure, a speaking stillness. Like good composers, mountains never play the same silence twice.
Strange – this nostalgia for ourselves as inanimate mater, of which my brain consists, enlivened for a while by some solar quirk.
Against one’s own brain, what defense comes to more than a shrug?
Any “This, Here, Now” so entirely taken with being exactly itself can’t help arresting a lone skier, just as any mind that arrives there takes one look and stops mumbling. Stops cluttering itself with thoughts. Hasn’t a name, isn’t anyone. Becomes what it hears: mountain snowfall in which silence ripens.
Why should raw bigness summon the deepest, oldest feelings we life forms can have? Perhaps by the very size of indifference. Because mountains scorn the astonishments they give rise to, because they pretend to live entirely within the limits of the visible, because they despise our memories, we respect the hugeness of their refusal to confide. Which awes us.
Among fellow humans we’re merely superfluous at best; at worst, part of the competition. But winter mountains enlarge the needle’s eye of our tiny brains and their labyrinthine trivialities. Thanks to the rude unity of winter’s fourteen-thousand-foot peaks, we feel our insignificance expand like a strange prestige – which makes being alive a kind of magic, easy as being not quite real. Small wonder that wherever terrain permits, primitives go around filling their habits with mountain gods.
“Where are our sacred places?” None natural, I think, none untouched. Instead, all human-centered; a battle, a birthplace, a document. Well and good, as far as humankind goes. But where not one natural space is held sacred, what gods will be found?
… in humankind’s continuous heart the impulse to sow the landscape with gods may be our one oldest urge.
“Daily you have to pump gods back into the scenery; so you can breathe. You can’t breathe just scrub woodlands and yucca and cactus and rock.”
From juniper, as from many another life that water takes on in deserts, I learn the trick of surviving even technology: “Be a tree not worth cutting down.”
Meanwhile I tried very hard to learn every which way a Douglas fir might grow that a white fir couldn’t mimic. And vice versa. It was a process teaching me how much of what we call eyesight is wanting to see. Small wonder that, cytologically speaking, retinal tissue and brain tissue are cousins. Eyes seem to be the mind leaning forward.
Worldwide, in fact, various myths reflect the feeling that a thing can’t fully and properly exist without its name.
More important perhaps than a name’s cover-up of details is its blurring of the fact that each thing is really an event, thus a confluence of forces still in motion; forces traceable – if we’ve time to reflect that far – back toward the time our solar system was fog, the sun not yet resolved to a focus with hydrogen fusion at heart. To see beyond language may be to receive flashes of a luminous whole; to feel an obsidian chip, for example, change into its molten past or vaporized forever even as the sperm and egg we once were stoop to pick it up.
Fear is often the threshold of knowledge, but the rate at which our species dares to know itself seems brachiopodally slow.
The ruckus we kicked up over being blood cousins to apes and monkeys was the strident denial of a six-year-old whose playmates have just told him how babies are really made.
… the truth: nature as one self-sufficient machine where anything that can die is called “life”, and ourselves the losses we agree to live out. It’s as if the atmosphere suddenly vanished. Without a vapor of illusion to absorb its lethal radiations, the sun pours down a ruthless clarity denying everything I’d like to be true.
Desert canyons at night are anything but voiceless. Yet peaceful, supremely. In such canyons your own presence can feel like the human race down to one person – which is to exist more actually than any other way I know.
An even greater poverty than seeing “mystery” where there is none might be not seeing it where there is.
… the more carefully I look at specific conifers, the less apt to their individualities become syllables like “spruce” or “pine” or “fir”.
As children we wondered, “What am I doing? And why am I doing it here?” We couldn’t guess, then, how wide these questions were, or that merely to ask them was to be more than merely ourselves.
Thus on a peak whose shattered granite is indeed blunt as ruin, I clamber around gazing off into all points of the compass, then lunch with no other company than the stones’ rude stares – their way of asking, “Why breathe? Why bother? Why come?” … Proud of their mindless immortalities – compared with anything married to oxygen – the massive slabs seem bored with human pretensions.
Unfortunately, the very adaptability that made us human may be our most lethal gift. Our shifty species is supple enough to call anything “home sweet home”, no matter how befouled. Thus adaptability, having made Homo sapiens boss of all vertebrates, may undo us. What blight can’t we get used to, project ourselves into, and love? Our progeny will call desolation “nature” if that’s all they’ve known.
A deer god? “How could an animal the Anasazi killed and ate be a deity?” A few generations ago this seemed credulity fit only for primitives; and seemed especially so to high-toned Christian people who killed their god very year on Good Friday, then ate him.
Vaguely we sense that those ruins are related not only to us but also to what we’re doing here, and have been doing for days: trying to see the life now passing through us, as it has through those who once lived.
… that’s the High Southwest. Colored distances like nowhere else I know, unbroken by any made thing. And skies that change you to a person worth being there.
The question every victim asks of its destroyer is “Why?” The answer varies endlessly yet is always the same, “Because I can.” Pollution: a display of power. Negligence: disregard of what’s sacred; refusal to connect one thing with another.
Our grand Western spaces are, instead, an empty plentitude. On the thoughtful person they confer depths beyond any thing humans can ever put there. The middle of nowhere is a power, a moving unity of spirit in us, one that habitation can only break up, never enhance.
[Order from Amazon.com by clicking this link:]
The Four-Cornered Falcon: Essays on the Interior West and the Natural Scene (Kodansha Globe)
Sunday, August 24, 2008
Pierre Teilhard de Chardin Quotation

the stuff of the universe cannot divide itself but,
as a kind of gigantic atom,
it forms in its totality the only real indivisible.
photo from: http://antwrp.gsfc.nasa.gov/apod/
Thursday, August 21, 2008
Desert Solitaire by Edward Abbey - Excerpts
EXCERPTS
Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite.
I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal.
I must confess that I know nothing whatever about true underlying reason, having never met any. There are many people who say they have, I know, but they’ve been luckier than I. For my own part I am pleased enough with surfaces – in fact they alone seem to me to be of much importance.
Like a god, like an ogre? The personification of the natural is exactly the tendency I wish to suppress in myself, to eliminate for good. I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it’s possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description. To meet God or Medusa face to face, even if it means risking everything human in myself. I dream of a hard and brutal mysticism in which the naked self merges with a non-human world and yet somehow survives still intact, individual, separate. Paradox and bedrock.
But for the time being, around my place at least, the air is untroubled, and I become aware for the first time today of the immense silence in which I am lost. Not a silence so much as a great still ness – for there are a few sounds: a creak of some bird in a juniper tree, an eddy of wind which passes and fades like a sigh, the ticking of the watch on my wrist – slight noises which break the sensation of absolute silence but at the same time exaggerate my sense of the surrounding, overwhelming peace. A suspension of time, a continuous present. If I look at the small device strapped to my wrist the numbers, even the sweeping second hand, seem meaningless, almost ridiculous. No travelers, no campers, no wanderers have come to this part of the desert today and for a few moments I feel and realize that I am very much alone.
The fire. The odor of burning juniper is the sweetest fragrance on the face of the earth in my honest judgment.
There’s another disadvantage to the us of the flashlight: like many other mechanical gadgets it tends to separate a man from the world around him.
Once inside the trailer my senses adjust to the new situation and soon enough, writing the letter, I lose awareness of the lights and the whine of the motor. But I have cut myself off completely from the greater world which surrounds the man-made shell. The desert and the night are pushed back – I can no longer participate in them or observe; I have exchanged a great and unbounded world for a small, comparatively meager one. By choice, certainly; the exchange is temporarily convenient and can be reversed whenever I wish.
Yet the springtime winds are as much a part of the canyon country as the silence and the glamorous distances; you learn, after a number of years, to love them also.
I’m a humanist; I’d rather kill a man than a snake.
All men are brothers, we like to say, half-wishing sometimes in secret it were not true. But perhaps it is true. And is the evolutionary line from protozoan to Spinoza any less certain? That may also be true. We are obliged, therefore, to spread the news, painful and bitter though it may be for some to hear, that all living things on earth are kindred.
I’ve had this tree under surveillance ever since my arrival at Arches, hoping to learn something from it, to discover the significance of its form, to make a connection through its life with whatever falls beyond. Have failed. The essence of the juniper continues to elude me unless, as I presently suspect, its surface is also the essence.
A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us – like rock and sunlight and wind and wilderness – that out there is a different world, older and greater and deeper by far than ours, a world which surrounds and sustains the little world of men as sea and sky surround and sustain a ship. The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
We are preoccupied with time. If we could learn to love space as deeply as we are now obsessed with time, we might discover a new meaning in the phrase to live like men.
Aloneness became loneliness and the sensation was strong enough to remind me (how could I have forgotten?) that the one thing better than solitude, the only thing better than solitude, is society. By society I do not mean the roar of city streets or the cultured and cultural talk of the schoolmen (reach for your revolver?) or human life in general. I mean the society of a friend or friends or a good, friendly woman. Strange at it might seem, I found that eating my supper out back made a difference. Inside the trailer, surrounded by the artifacture of America, I was reminded insistently of all that I had, for a season, left behind; the plywood walls and the dusty Venetian blinds and the light bulbs and the smell of butane made me think of Albuquerque. By taking my meal outside by the burning juniper in the fireplace with more desert and mountains than I could explore in a lifetime open to view, I was invited to contemplate a far larger world, on which extends into a past and into a future without any limits know to the human kind. By taking off my shoes and digging my toes in the sand I made contact with that larger world – an exhilarating feeling which leads to equanimity. Certainly I was still by myself, so to speak – there were no other people around and there still are none – but in the midst of such a grand tableau it was impossible to give full and serious consideration to Albuquerque. All that is human melted with the sky and faded our beyond the mountains and I felt, as I feel – is it a paradox? – that a man can never find or need better companionship than that of himself.
In the evenings after work I sit at the table outside and watch the sky condensing in the form of twilight over the desert.
I would like to introduce here an entirely new argument in what has now become a stylized debate: the wilderness should be preserved for political reasons. We may need it someday not only as a refuge from excessive industrialism but also as a refuge from authoritarian government, from political oppression. Grand Canyon, Big Bend, Yellowstone and the High Sierras may be required to function as bases for guerrilla warfare against tyranny. What reason have we Americans to think that our own society will necessarily escape the world-wide drift toward the totalitarian organization of men and institutions?
The city, which should be the symbol and center of civilization, can also be made to function as a concentration camp. This is one of the significant discoveries of contemporary political science.
My God! I’m thinking, what incredible shit we put up with most of our lives – the domestic routine (same old wife every night), the stupid and useless and degrading jobs, the insufferable arrogance of elected officials, the crafty cheating and the slimy advertising of the businessmen, the tedious wars in which we kill our buddies instead of our real enemies back home in the capital, the foul, diseased and hideous cities and towns we live in, the constant petty tyranny of automatic washers and automobiles and TV machines and telephones - ! ah Christ!, I’m thinking, at the same time that I’m waving goodbye to that hollering idiot on the shore, what intolerable garbage and what utterly useless crap we bury ourselves in day by day, while patiently enduring at the same time the creeping strangulation of the clean white collar and the rich but modest four-in-hand garrote! Such are my – you wouldn’t call them thoughts would you? – such are my feelings, a mixture of revulsion and delight, as we float away on the river, leaving behind for a while all that we most heartily and joyfully detest. That’s what the first taste of the wild does to a man, after having been too long penned up in the city. No wonder the Authorities are so anxious to smother the wilderness under asphalt and reservoir. They know what they’re doing, their lives depend on it, and all their rotten institutions.
Wilderness. The word itself is magic. Wilderness, wilderness … We scarcely know what we mean by the term, though the sound of it draws all whose nerves and emotions have not yet been irreparably stunned, deadened, numbed by the caterwauling of commerce, the sweating scramble for profit and domination.
Paradise is not a garden of bliss and changeless perfection where the lions lie down with the lambs (what would they eat?) and the angels and cherubim and seraphim rotate in endless idiotic circles , like clockwork, about an equally inane and ludicrous – however roseate – Unmoved Mover … That particular painted fantasy of a realm beyond time and space which Aristotle and the Church Fathers tried to palm off on us has met, in modern times, only neglect and indifference, passing on into the oblivion it so richly deserved, while the Paradise of which I write and wish to praise is with us yet, the here and now, the actual, tangible, dogmatically real earth on which we stand.
If a man’s imagination were not so weak, so easily tired, if his capacity for wonder not so limited, he would abandon forever such fantasies of the supernal. He would learn to perceive in water, leaves and silence more than sufficient of the absolute and marvelous, more than enough to console him for the loss of the ancient dreams.
Beyond atheism, nontheism. I am not an atheist but an earthiest. Be true to the earth.
Here I am, relaxing into memories of ancient books – a surefire sign of spiritual fatigue. That screen of words, that veil of ideas, issuing from the brain like a sort of mental smog that keeps getting between a man and the world, obscuring vision.
Alone in the silence, I understand for a moment the dread which many feel in the presence of primeval desert, the unconscious fear which compels them to tame, alter or destroy what they cannot understand, to reduce the wild and prehuman to human dimensions. Anything rather than confront directly the antehuman, the other world which frightens not through danger or hostility but in something far worse – its implacable indifference.
Men come and go, cites rise and fall, whole civilization appear and disappear – the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break.
Under the desert sun, in that dogmatic clarity, the fables of theology and the myths of classical philosophy dissolve like mist. The air is clean, the rock cuts cruelly into flesh; shatter the rock and the odor of flint rises to your nostrils, bitter and sharp. Whirlwinds dance across the salt flats, a pillar of dust by day; the thornbush breaks into flame at night. What does it mean? It means nothing. It is as it is and has no need for meaning. The desert lies beneath and soars beyond any possible human qualification. Therefore, sublime.
What can I tell them? Sealed in their metallic shells like mollusks on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can’t see the desert if you can’t smell it! Dusty! Of course it’s dusty – this is Utah! But it’s good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that piece of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk – yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it’ll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over the rocks hunting for rattlesnakes and scorpions and anthills – yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk – walk – WALK upon our sweet and blessed land!
… we must beware of a danger well known to explorers of both the micro-and macrocosmic – that of confusing the thing observed with the mind of the observer, of constructing not a picture of external reality but simply a mirror of the thinker. Can this danger be avoided without falling into an opposite but related error, that of separating too deeply the observer and the thing observed, subject and object, and again falsifying our view of the world?
Of course I have my reasons which reason knows nothing about; reason is and ought to be, as Hume said, the slave of the passions. He foresaw the whole thing.
The finest quality of this stone, these plants and animals, this desert landscape is the indifference manifest to our presence, our absence, our coming, our staying or our going. Whether we live or die is a matter of absolutely no concern whatsoever to the desert.
QUOTATIONS
Balzac, Honore de
In the desert there is all and there is nothing. God is there and man is not.
Tuesday, August 19, 2008
Sunday, August 17, 2008
Robert Louis Stevenson Quotation

Thursday, August 14, 2008
Umberto Eco Quotation

Exile from a place, moreover, that does not exist.
photo from: http://antwrp.gsfc.nasa.gov/apod/
Tuesday, August 12, 2008
Henry Wadsworth Longellow Quotation

that break upon the idle seashore of the mind.
Sunday, August 10, 2008
Reg Saner Quotation

meet us as exactly what THEY meant to be;
blessedly forlorn, among many strange ways
in which the world keeps its promise.
Thursday, July 31, 2008
P.L. Travers Quotation

and continue whatever it was
they were doing or saying
before I happened upon them.
Tuesday, July 22, 2008
Joseph Conrad Quotation

Sunday, July 13, 2008
Shirley Jackson Quotation

Sunday, July 6, 2008
Annie Dillard Quotation

Thursday, July 3, 2008
Johann Wolfgang von Goethe Proverb

Wednesday, May 7, 2008
Thomas Merton Quotation
Sunday, May 4, 2008
Phil Cousineau Quotation
